The Raven and the Veil News

Dusty cats, or real work?

Started playing with a “document processor” called Lyx, in my free time, ended up importing and marking up The Raven and The Veil, and then while I was reading through I decided the ending wasn’t as strong as it could be, so I rewrote it. It is now 4000 words longer. Hopefully that’s a good thing.

The cover artwork for Dicing with Flames isn’t done yet. I’m having trouble with the rock textures… and since the scene I’m doing is underground, it’s almost all rock. I put a Black Flag page together today anyway.

Author's Note on Verdaia

I kept dreaming up these stories that seemed like fantasy or historical romances. But if they were fantasies, where was the magic? And if they were historicals, why couldn't I recognize any of the settings? I finally decided that all these story ideas were set on the same non-magical world, and named it Verdaia.

Verdaia has different geography than earth, and a different history, but is otherwise very much like earth. For me the fun of this world is in building cultures remincient of earth cultures, and yet not exactly the same.


 
Quote from Scent of Spring
 
'A widow with money is always more beautiful than a wife with the same face.'
 
-- Prince Harchung
 
 
Copyright © Michelle Bottorff

Email mbottorff at lshelby period com